empac building EMPAC research commissions events about contact

DANCE MOViES Commission

The DANCE MOViES Commission supports the creation of new works for the screen which vary widely in content and form, yet are united by the fact that the image on the screen was crafted by, or in collaboration with, a choreographer or movement-based artist. The works supported combine the possibilities and range of the moving image in all its technological facets with the physicality and movement-based modes of dance.

Examples of works supported by the commission include films that are narrative-driven, using the conventions of filmic story-telling; some may be abstract works which mine the inherent sympathies between the time-based, visual aspects of both dance and film; some may not even feature “dance” as is generally defined, but contain a powerful sense of how movement unfurls in time and how we create meaning from the dance of images; some may take advantage of tools such as computer processing, motion capture, simulation, animation, and image processing; and some may extend the confines of the single screen to multiple screens or projections.

The DANCE MOViES Commission is supported by the Jaffe Fund for Experimental Media and Performing Arts.


DMC REGISTRATION LOGIN:

Username:

Password:

Don't have a login? Create Account

Forgot your Login/Password?

DANCE MOViES Commission 2009-2010 Dates and Info:

  • » Application Guidelines + Information «
  • May 01, 2009
  • Submission due to EMPAC for initial proposals
  • UPDATE: June 03, 2009
  • Notifications sent to artists for first round - short list announced
  • June 08, 2009
  • Updated proposals due from selected artists
  • June-July 2009
  • International selection panel selects winning proposals from short list
  • July 13, 2009
  • Notifications of awards sent to artists - winners announced
  • August 1, 2009
  • Production of projects begins
  • May 2009
  • Next cycle begins, submission due
  • August 1, 2010
  • Completed works submitted to EMPAC
  • RSS 2.0 Feed:
    image rssEMPAC DANCE MOViES Commission Feed.
  • How do i use feeds? Why only RSS 2.0? What is RSS anyway?

2009-2010 DOWNLOADS:

76kb adobe acrobat

2009-2010 Application Guidelines:
» ENGLISH | » ESPAÑOL

How to apply, timelines, directions, etc.

32kb adobe acrobat

» 2009_PressRelease.pdf

DMC 2009-2010 Open Call Press Release

HOW TO DOWNLOAD:

IN FIREFOX (all platforms): right click or control+click the application link and "save link as" and save to your desktop.

IN SAFARI (mac): right click or control+click on the application link and "download linked file" and save to your desktop.


2008-2009

DANCE MOViES Commission 2008-2009 Recipients:

body traces

Body/traces by digital media artist Sophie Kahn and choreographer Lisa Parra (US). A single-channel video installation reanimating 3D laser scans of the body in motion, resulting in a ghostly imperfect trace of the dancer's movement at human-scale.

looking forward: man and woman

Looking Forward – Man and Woman directed by Roberta Marques, choreographed and performed by Michael Schumacher and Liat Waysbort (Brazil/Holland). The third film in a trilogy experimenting with the reversing of movement and time in video and dance, creating mind-binding illusions in partnering while on a Sunday walk on the beach.

eyesnosemouth

Eyes Nose Mouth choreographed and conceived by Noémie Lafrance, directed by Patrick Daughters (USA). A dance film in which one take follows a single figure, streaming through fast-changing and surreal environments, ceaselessly swept forward in the flux of urban time.

sunscreen

Sunscreen Serenade directed and choreographed by Kriota Willberg, sound by Carmen Borgia, illustration/animation by R. Sikoryak (US). A global warming-themed Depression-era musical spectacle populated by scantily costumed hand puppets.

Stats: Selected from over 100 applications, of which 28 were short-listed, the 4 funded projects represent the second round of awards given out through the EMPAC DANCE MOViES Commission. In this year’s pool, 80% of initial proposals came from the US, 7% from Canada, 9% from Argentina, 3% from Brazil, 1% from Mexico.


2007-2008

An international panel met in May 2007 to select the four winning projects for the DANCE MOViES Commission. With awards ranging from $7,000 to $42,000, these works represent the first commissions given out through this new program. They will be premiered in the fall of 2008 at EMPAC's opening.

DANCE MOViES Commission 2007-2008 Recipients:

kino eye image

Kino-Eye directed by Joby Emmons and Elena Demyanenko (USA) — A work combining the aesthetic of video surveillance in post-Soviet Russia and the filmed movements of a contemporary Russian dancer. (8 minutes)

nora image

Nora directed by Alla Kovgan and David Hinton, choreographed by Nora Chipaumire, soundscore by Thomas Mapfumo, produced by Joan Frosch (USA/Zimbabwe/Mozambique/UK) in association with Portland Green Cultural Projects, and Center for World Arts, University of Florida— a dense and swiftly moving poem of sound and image that tells the story of a dancer growing up in Zimbabwe (35 minutes)

pasillo

PH Propiedad Horizontal created by David Farias, Carla Schillagi and Maria Fernanda Vallejos (Argentina) — a group of dancers use a narrow passageway, typical for Argentinean urban housing, to create an elegant, abstract, and lively piece of pure movement and form. (5-7 minutes)

soldier

Soldier (photo from Men) directed/choreographed by Victoria Marks, directed by Margaret Williams (USA/UK) — a dance film featuring US veterans who have recently returned from Iraq. (10-12 minutes)

Stats: 163 applications were submitted – 82% from the US, 10% from Canada, 4% from Argentina, with artists also applying from Uruguay, Paraguay, France and the UK.


vectors of research - circles of art
EMPAC
Building | Research | Commissions |Events | About | Contact
RPI.edu | RPInfo | Search RPI | RPI Tour & Map

EMPAC - Rensselaer Polytechnic Institute (RPI), 110 8th Street, Winslow Building, Troy, NY 12180-3590 (518) 276-4135
Copyright © 2003 - 2008 Rensselaer Polytechnic Institute.
All rights reserved worldwide.