This Spring (plus some Winter), EMPAC presents a full schedule of performances, screenings, installations, exhibitions, and talks in which artists defy gravity, a string quartet imitates a car crash, and a choreographer and manga artist locate the kink beneath the Japanese cult of cute.
This Spring EMPAC will continue the presentation of exhibitions and installations throughout the building on an ongoing basis.
January 20–February 03
An exhibition of Japanese manga and anime
March 03–12
Chris Salter: Just Noticeable Difference
March 18–April 11
Dancing on the Ceiling: Art & Zero Gravity
EXHIBITION OPENING
Thursday, March 18, 6-10 PM
6 PM — Reception with commissioned artists and curator Kathleen Forde
7 PM — Talk by Douglas Trumbull followed by screening of 2001: A Space Odyssey
EXHIBITION TOUR
Thursday, April 8, 6:30 PM
with curator Kathleen Forde
April 30–May 02 onedotzero_adventures in motion
Listening is an art, and in search of the perfect environment in which to practice it, humans have devoted millions of hours and the heroic efforts of architects, engineers, and craftspeople. EMPAC is a product of that quest. In its SOLOS^2 series, a diverse array of performers will guide listeners through aural space, using strings, brass, percussion, amplification, and voices to fully explore the potentials of timbre and musical directionality.
03/05 — Sopranos + Piano
05/08 — POSTPONED
In response to the (age-old) complaint that there's nothing new happening in music, EMPAC modestly announces New Nothing, a series of concerts featuring national and international musicians working in the hybridized terrain of experimental-leaning popular music. These groups exemplify a global reality in which music hasn't just crossed borders but made them irrelevant. Popular music will never be the same.
02/13 — EXTRA LIFE, Dan Deacon + Nuclear Power Pants
04/02 — Josephine Foster + Victor Herraro
Unfiction is series of documentary films that turn truth into something other than fact, using poetry and imagination, rather than transparency and objectivity. These filmmakers question the very notion of authenticity, and disobey the typical documentary filmmaking practices; instead they stage their own realities on location, employing techniques such as reenactment, personal voice-overs and special effects.
02/04 — The Beaches of Agnès
04/08 — Man on Wire
05/13 — Megunica
PERFORMANCE
04/17 — Orchestra and Choir Concert
Presented by: RMA
PERFORMANCE
05/02 — Symphonic Band and Percussion Ensemble Concert
Presented by: RMA
PERFORMANCE
05/08 — Dance Club Recital
Presented by: Dance Club
TALK
02/03 — Merrill Elam: Mack Scogin Merrill Elam Architects, Recent Work
Presented by: Arch Rensselaer
TALK
02/08 — Sulan Kolatan + William Mac Donald: KOL/MAC LLC, Boom and Bloom
Presented by: Arch Rensselaer
PERFORMANCE
02/16 — Neil Rolnick: Extended Family featuring Ethel and Bob Gluck
Presented by: Arts Department
PERFORMANCE
04/10 — Rensselaer Festival Chorus: Mozart's Requiem
Presented by: Rensselaer
TALK
04/12 — Nader Tehrani: Office dA, Inc., A Difficult Synthesis
Presented by: Arch Rensselaer
PERFORMANCE
04/12 — Kyle deCamp: Urban Renewal
Presented by: Arts Department
PERFORMANCE
04/17 — Nick Chase: Ngoma Lungundu Anna Lindemann: Bird Brain
Presented by: Arts Department
TALK
04/19 — Toshiko Mori: Toshiko Mori Architect PLLC, Local to Global:
Architects' Role in Our Time
Presented by: Arch Rensselaer
PERFORMANCE
05/05 — Rensselaer Contemporary Music Ensemble
Presented by: Arts Department
TALK
02/23 — Nicholas Kristof & Sheryl WuDunn: Women, Power, and Opportunity
Presented by: Emma Willard
PERFORMANCE
05/22 — American Music Festival Orchestra Concert
Presented by: ASO

EMPAC 2009/10 presentations, residencies and commissions are supported by grants from the Mid Atlantic Arts Foundation in partnership with the National Endowment for the Arts’ Regional Touring Program, the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding provided by the Ford Foundation, the Andrew W. Mellon Foundation, and the Community Connections Fund of the MetLife Foundation;) and the New York State Council for the Arts. Special thanks to the The Jaffe Fund for Experimental Media and Performing Arts for support for artist commissions.