The Red Shoes

Directed by Michael Powell + Emeric Pressburger

Thursday, April 7, 2011

Based on the Hans Christian Andersen’s fairy tale about a young girl caught in an endless dance by a pair of magical shoes, The Red Shoes is Powell and Pressburger’s celebrated film about the life of an artist. Set in a ballet production of The Red Shoes, the film follows a ballerina struggling with dueling allegiances to love and career.

The Red Shoes was unprecedented in its treatment of dance on film, featuring an extended 17-minute ballet sequence, and the Royal Philharmonic Orchestra performed its Oscar-winning score. One of cinema’s most famous early uses of Technicolor, this newly remastered digital version was restored by the UCLA Film & Television Archives in 2009.

Cinematic Chimera presents works that strive for a radical synthesis of artistic genres, reviving the notion of the Gesamtkunstwerk, or total artwork. United by their integration of theater, dance, music, architecture, literature, and visual art, these films also realize the Gesamtkustwerk’s technological imperative by making use of advanced cinematic techniques.

Emily Berçir Zimmerman

Hungarian-born Emeric Pressburger was a journalist before becoming a screenwriter in the late 1920s. After working at Germany's UFA studios for several years, he fled after Hitler's rise to power and eventually came to England, where he joined London Films as a screenwriter and began his association with Michael Powell, a gifted young English filmmaker. The two worked together on The Spy in Black, and after leaving London Films, formed a filmmaking partnership. Their collaborations together included 49th Parallel, One of Our Aircraft Is Missing, The Life and Death of Colonel Blimp, A Canterbury Tale, I Know Where I'm Going!, Stairway to Heaven (A Matter of Life and Death), Black Narcissus, The Red Shoes, The Small Back Room, and The Tales of Hoffmann. The partnership split up after 1956, and Pressburger returned to writing. His novel Killing a Mouse on Sunday was later adapted into the movie Behold a Pale Horse.

The Red Shoes
April 7, 2011, 7:30PM

"Before The Red Shoes, there were films with dance numbers. After it, there was a new medium which combined dance, design, and music in a dreamlike spectacle."
— Ian Christie

"For 10 years [following both world wars] we had all been told to go out and die for freedom and democracy; but now the war was over, The Red Shoes told us to go out and die for art."
— Michael Powell


EMPAC 2010-2011 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

Mid Atlantic Arts Foundation
National Endowment for the Arts
NEFA - New England Foundation for the Arts
State of the Arts - NYSCA