Directed by Jean Cocteau

Thursday, March 6, 2014

Orpheus (Orphée), Jean Cocteau’s second film in the Orphic Trilogy, is a retelling of the Greek myth of Orpheus, a son of Apollo and a celebrated poet and musician who attempts to rescue his wife Eurydice from the underworld. Cocteau’s surrealist film follows the poet Orpheus as he turns away from a world in which he is shunned toward the underworld’s promise of inspiration. His poetic meditation on this classic story avoids direct adaptation and simplistic narrative formulas. Cocteau wrote of Orpheus: “When I make a film, it is a sleep in which I am dreaming…. There is nothing more vulgar than works that set out to prove something. Orphée, naturally, avoids even the appearance of trying to prove anything.”

The film series A Door Ajar, presents enigmatic films that refuse cliché cinematic endings where the hero rides off into the sunset or the wayward soul finds eternal redemption. Instead, these films revel in openness, leaving the door ajar for interpretation after the film ends. The series looks at perception, the desire to create meaning, and the reach for conclusions.

Erika Vogt's short film Darker Imposter will be screened prior to Orpheus as part of the Frieze Film series.

Emily Zimmerman

Jean Cocteau (1889-1963) was a French poet, novelist, playwright, artist, and socialite. He was associated with a group of composers known as Les Six, and collaborated with such luminaries as Picasso, Stravinsky, Satie, and Diaghilev. He began his career first as a poet, then as a playwright for the Russian Ballet. Fascinated by classicism, Cocteau returned to the myth of Orpheus several times in his work, first in a play from 1926, and later in his surrealist film Orpheus (1950). He would create several key cinematic works over 30 years including, The Blood of the Poet (1931), The Eternal Return (1943), Beauty and the Beast (1946), and the Testament of Orpheus (1960).

March 6, 2014, 7:30PM
Return to A Door Ajar

EMPAC 2013-2014 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

Mid Atlantic Arts Foundation
National Endowment for the Arts
NEFA - New England Foundation for the Arts
State of the Arts - NYSCA