Kill the Overseer!

Playing the Rebel Slave in Videogames / Sarah Juliet Lauro

Wednesday, February 1, 2017
TALK, DEMO

In a video game demo and talk, Sarah Juliet Lauro will discuss how resistance to slavery is represented in video and computer games. Lauro will profile many games that feature this narrative and will demo an art game being developed by students at the University of Southern California called Thralled, which focuses on a runaway slave in Brazil.

During the day leading up to her evening talk, Lauro will demo chapter one of Thralled in Evelyn’s Café on EMPAC’s 5th floor. This chapter features the playable character Isaura, who attempts to flee slavery through the rainforest with her infant in her arms. On her journey, Isaura encounters many obstacles as she is pursued by a ghostly specter. Lauro will then expand on this storyline in her talk Kill the Overseer! Playing the Rebel Slave in Videogames, which will consider race, empathy, and power dynamics between players and characters in game-based digital commemorations of slave revolt.

DEMO: Wednesday, February 1, 2017 10AM–9PM
Curator:: 
Ashley Ferro-Murray

Sarah Juliet Lauro is Assistant Professor of Hemispheric Literatures in the Department of English and Writing at the University of Tampa, where she teaches courses on literature and film. Lauro’s areas of expertise are postcolonial literature, especially of the Caribbean, American literature, and cinema. She is author of The Transatlantic Zombie: Slavery, Rebellion, and Living Death (Rutgers University Press, 2015), and many articles, including A Zombie Manifesto: The Non-Human Condition in the Era of Advanced Capitalism (boundary2, Spring 2008). Her second monograph addresses commemorations of slave revolt in various media, including monuments, books, films, and videogames.

Dates: 
Talk
Kill the Overseer!
Theater
February 1, 2017, 7PM
Demo
Kill the Overseer!
Evelyn’s Cafe
February 1, 2017, 10AM9PM

EMPAC 2016–17 presentations, residencies, and commissions are supported by Rensselaer Polytechnic Institute, the National Endowment for the Arts, and the Jaffe Fund for Experimental Media and Performing Arts.