Laurie Anderson

Friday, October 15, 2010

Produced in part during Laurie Anderson's multiple residencies at EMPAC last year, Delusion is a meditation on life and language by way of music, video, and storytelling. Conceived as a series of short mystery plays, Delusion jump-cuts between the everyday and the mythic. Employing violin, electronic puppetry, music, visuals, altered voices, and imaginary guests, Anderson weaves a complex story about longing, memory, and identity. At its heart is the pleasure of language and a fear that the world is made entirely of words. Delusion tells its story in the colorful and poetic language that has become Anderson's trademark.

Kathleen Forde

One of America’s most renowned performance artists, Laurie Anderson's genre-crossing work encompasses performance, film, music, installation, writing, photography, and sculpture. She is widely known for her multimedia presentations and musical recordings and has numerous major works to her credit, including United States I-V (1983), Empty Places (1990), Stories from the Nerve Bible (1993), Songs and Stories for Moby Dick (1999), and Life on a String (2001), among others. She has had countless collaborations with an array of artists, from Jonathan Demme and Brian Eno to Bill T. Jones and Peter Gabriel.

Anderson has invented several technological devices for use in her recordings and performance art shows, including voice filters, a tape-bow violin, and a talking stick. In 2002, she was appointed NASA’s first artist-in-residence, and she was also part of the team that created the opening ceremony for the 2004 Olympic Games in Athens. Anderson has published six books, produced numerous videos, films, radio pieces, and original scores for dance and film. In 2007, she received the prestigious Dorothy and Lillian Gish Prize for her outstanding contribution to the arts. She lives in New York City.

October 15, 2010, 8PM
October 16, 2010, 8PM
Maddy Costa
The Guardian
April 15, 2010

EMPAC 2010-2011 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

Mid Atlantic Arts Foundation
National Endowment for the Arts
NEFA - New England Foundation for the Arts
State of the Arts - NYSCA