Jean-Pierre Luminet

Wednesday, March 2, 2011

Jean-Pierre Luminet, an expert on black holes, cosmology, and cosmic topology, will discuss the relationship between principles of aesthetics and the study of the cosmos through the work of artists, philosophers, and scientists, from Plato to Kepler, and Dürer to Escher. A collaborator of Gérard Grisey's Le Noir de l'Étoile, Luminet will discuss his role in the spatial percussion piece about the death of a pulsar, which will be performed by Les Percussions de Strasbourg in EMPAC's Concert Hall on Saturday, February 26, 2011.

Observer Effects invites thinkers to present their highly integrative work in dialogue with the fields of art and science. This lecture series takes its title from a popularized principle in physics that holds that the act of observation transforms the observed. Outside the natural sciences, the idea that the observer and the observed are linked in a web of reciprocal modification has been deeply influential in philosophy, aesthetics, psychology, and politics.

Emily Berçir Zimmerman

Jean-Pierre Luminet is a French astrophysicist. He is the research director for the Centre National de la Recherche Scientifique (CNRS), and is a member of the Laboratoire Univers et Théories (LUTH) of the observatory of Paris-Meudon. He was awarded the 2006 Great Prize of the French Academy of Sciences for science communication, and the 1999 International Georges Lemaitre Prize for his original contributions to cosmology and astrophysics. He has published in journals such as Nature, Astrophysical Journal, and Astronomy and Astrophysics, among others. He has also published three acclaimed novels and several poetry books.

Jean-Pierre Luminet
Evelyn’s Cafe
March 2, 2011, 6PM

"Symmetry is one of the most fundamental concepts in geometry, whose principal concern is to find ‘pure’ shapes—the equivalent of the physicist’s search for fundamental elements. It is so prevalent in nature, from the human body to crystals, atoms, particle physics, or cosmology, that it is difficult to imagine it not being central to our understanding of the world."
— Jean-Pierre Luminet, Science, Art and Geometrical Imagination

EMPAC 2010-2011 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

Mid Atlantic Arts Foundation
National Endowment for the Arts
NEFA - New England Foundation for the Arts
State of the Arts - NYSCA