Rushes

Michael Gordon

September 15, 2012

With one of the most unorthodox ensembles imaginable, New York City-based Michael Gordon, composer and founder of the iconic new music organization Bang on a Can, culminates a recording residency with the world premiere of a new work for seven bassoons. Best known for music driving rhythmic intensity and power, Gordon explores interweaving texture and timbre of a surplus of double reeds.

The Rushes ensemble includes bassoonists Rachael Elliott, Michael Harley, Lynn Hileman, Dana Jessen, Jeffrey Lyman, Saxton Rose, and Maya Stone.

Curator:: 
Argeo Ascani

Michael Gordon’s music merges subtle rhythmic invention with incredible power embodying, in the words of The New Yorker's Alex Ross, “the fury of punk rock, the nervous brilliance of free jazz and the intransigence of classical modernism.”

Over the past 25 years, Gordon has produced a strikingly diverse body of work, ranging from large-scale pieces for high-energy ensembles to major orchestral commissions to works conceived specifically for the recording studio. Transcending categorization, this music represents the collision of mysterious introspection and brutal directness.

His orchestral and chamber works include Rewriting Beethoven's Seventh Symphony, Sunshine of your Love, Potassium, Industry, The Sad Park, and Trance, among others. Works for theater and opera include What To Wear, Acquanetta, Lost Objects, and Van Gogh. He has also had numerous collaborations with artists in other media, most frequently with filmmaker Bill Morrison and Ridge Theater.

Gordon has been commissioned by Lincoln Center, Carnegie Hall, the BBC Proms, the Brooklyn Academy of Music, Settembre Musica, the Holland Music Festival, the Dresden Festival, and the Sydney 2000 Olympic Arts Festival, among others. The recipient of multiple awards and grants, he has been honored by the Guggenheim Foundation, the National Endowment for the Arts, the Foundation for Contemporary Performance Arts, and the American Academy of Arts and Letters.

Born in Miami Beach in 1956, Gordon holds a bachelor of arts from New York University and a master’s in music from the Yale School of Music. He is co-founder and co-artistic director of New York's legendary music collective Bang on a Can.

Dates: 
Performance
Rushes
Concert Hall
September 15, 2012, 8PM
TICKETS
Press: 
Sara Foss
-
Schenectady Daily Gazette
September 17, 2012

EMPAC 2012-2013 presentations, residencies, and commissions are made possible by continuous support from the Jaffe Fund for Experimental Media and Performing Arts. Additional project support by the National Endowment for the Arts; the National Dance Project of the New England Foundation for the Arts with lead funding from the Doris Duke Charitable Foundation and the Andrew W. Mellon Foundation; the New York State Council for the Arts; Mid Atlantic Arts Foundation with support from the National Endowment for the Arts; Arts Council Norway, Fond for Lyd og Bilde, and Fond for Utøvende Kunstner.

National Endowment for the Arts
NEFA - New England Foundation for the Arts
National Science Foundation
State of the Arts - NYSCA