Before the Music Starts

August 14August 15, 2013

Susanna Bolle + Benjamin Nelson • Keith Fullerton Whitman • Miki Kaneda • Lawrence Kumpf • Mark Lewis • Robert AA Lowe • Justin Luke • Pauline Oliveros • Jessica Rylan • Frank Smigiel • Robert Snowden

There is a disconnect between where visual/performance artists are working with sound and where composers/musicians are working with electronics. Despite collaboration, there remains a slippage of presentation and theorization between the disciplines. Currently, it seems that the modular synthesizer could be a bridge between the two. Through the process of obsessive planning, the tactility of performance and the creation of dense soundfields, the analog mod synth is experiencing resurgence among visual artists and musicians. How do such old technological concepts have relevance in a digital world? Is knob twisting influencing a new generation of visual artists with its ease of entry, and entrancing composers and musicians with its physical controls? Will that one module that makes everything truly awesome ever be found? Does the experience of a satisfying click create a different sonic outcome than the reassuring LCD flash onscreen? Or is it really all the same to a lay audience? Is anyone even paying attention?

Almost a decade after EMPAC's first festival, Wow and Flutter, which presented the music, performances, and artists of the 1960s multidisciplinary San Francisco Tape Music Center, Before the Music Starts is a two-day colloquium that will allow a group of artists, musicians, curators, and critics a period of focused discussion. It will provide the chance to gather varied perspectives on the current trend of cross-disciplinary artistic practice by those who produce and present visual arts performance and music.

The Jaffe Colloquia is a series of exchanges that brings together small groups of artists, curators, and theorists to informally discuss ideas centered around the conditions of, and perspectives on, time-based arts.

These events take the form of closed group discussion; however, sessions will be recorded and subsequently made available online.

Argeo Ascani + Victoria Brooks
Before the Music Starts
Studio 1—Goodman
August 14August 15, 2013

EMPAC 2013-2014 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts, the National Dance Project of the New England Foundation for the Arts (with lead funding from the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, and the Boeing Company Charitable Trust), and the New York State Council for the Arts. Special thanks to the Jaffe Fund for Experimental Media and Performing Arts for support of artist commissions.

Mid Atlantic Arts Foundation
National Endowment for the Arts
NEFA - New England Foundation for the Arts
State of the Arts - NYSCA