Luca Turin

Why Does Consciousness Dissolve in Chloroform? The Story of an Enduring Mystery

Wednesday, November 5, 2014

What is time? Does our understanding of time depend on the human mind in some fundamental way? Biophysicist Luca Turin investigates one of the stranger mysteries of human consciousness in this presentation, using images and 3D animations to share the many unusual discoveries from his research with general anesthesia and its influence an internal sense of duration. Unlike sleep, time essentially stops for the anesthetized subject, who frequently wakes with a feeling of “the next thing I knew...” In Why Does Consciousness Dissolve in Chloroform, Turin will combine his characteristic wit and scientific rigor to unwind this bizarre phenomenon, finding at its heart a richer understanding of the human mind and the strange conditions we’re given to understand through it.

Emily Zimmerman

Biophysicist Luca Turin was born in 1953 in Beirut, Lebanon. He received his French baccalauréat in 1970, and his PhD in physiology and biophysics in 1978 from University College London. Turin worked at The French National Center for Scientific Research from 1982 to 1992, and was a lecturer in biophysics at University College London from 1992 to 2000. He was the CTO of a startup company creating new fragrance and flavor molecules until 2009. He's the author of Perfumes: The Guide, and the subject of Chandler Burr's 2003 book The Emperor of Scent. He worked at MIT from 2009 to 2011 and at the Alexander Fleming Institute in Athens, Greece from 2011 to 2013. Turin is currently a visiting professor at the Institute for Theoretical Physics in Ulm, Germany, and writes a column for the Zurich-based monthly NZZ Folio. He is also the perfume critic of Style Arabia.

Luca Turin
November 5, 2014, 7PM

EMPAC 2014-2015 presentations, residencies, and commissions are supported by grants from the National Endowment for the Arts and The MAP Fund, a program of Creative Capital, primarily supported by the Doris Duke Charitable Foundation; additional funding from the Andrew W. Mellon Foundation, the Community Connections Fund of the MetLife Foundation, the Boeing Company Charitable Trust, and the New York State Council for the Arts. Special thanks extended to the Jaffe Fund for Experimental Media and Performing Arts for continued support of artist commissions.

National Endowment for the Arts
State of the Arts - NYSCA