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A woman playing an amplified acoustic guitar washed in purple light.

Mary Halvorson + Colin Marston

Thursday, December 3, 2015 at 8PM
Concert Hall

In a performance that juxtaposes jazz with extreme metal, guitarist Mary Halvorson and bassist Colin Marston played solo sets hailing from opposite sides of the musical spectrum. 
 
A composer, bandleader, and improviser, Halvorson is renown for her elastic, sometimes-fluid, sometimes-shredding, wholly unique style. A student of famed improviser Anthony Braxton, she studied jazz at Wesleyan University and the New School before becoming a member of several of Braxton’s bands and a contributor to six of his recordings. Her education deepened with stints in no-wave guitarist Marc Ribot’s quartet Sun Ship and Mr. Bungle bassist Trevor Dunn’s Trio-Convulsant. Her longstanding trio has been named a “rising star” by Downbeat Magazine and critics have called her “NYC’s least-predictable improviser” and “the future of jazz guitar.”
 
Marston is one of the most powerful figures on the New York death-metal scene, playing with groups such as Behold…The Arctopus, Dysrhythmia, Krallice, and Gorguts. His complex and technically demanding music weaves jagged rhythms with unrelenting energy to confront listeners with a wall of pure sonic force. Marston also runs a recording studio called Menegroth, The Thousand Caves in Queens where he records, mixes, and masters many forms of music. His prolific output includes extreme metal, progressive/experimental rock, avant garde improvisation, free jazz, new music/modern classical, and ambient genres.

Main Image: Mary Halvorson in studio at EMPAC in 2015. Photo: EMPAC/Rensselaer.

Media
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Colin Marston playing bass on a stage cluttered with amps washed in red and blue light.

Colin Marston at EMPAC in 2015. Photo: EMPAC/Rensselaer.

Dates + Tickets

Music/Sound
Mary Halvorson + Colin Marston
Thursday 3
8:00 PM
December 2015
Event Type
Press Links

Season

Curator
Funding

EMPAC 2015–16 presentations, residencies, and commissions are supported by Rensselaer Polytechnic Institute and the Jaffe Fund for Experimental Media and Performing Arts.