Black Power of Hip Hop Dance: On Kinesthetic Politics

Naomi Bragin

Monday, October 17, 2016

Hip hop dancer, choreographer, and scholar Naomi Bragin will be at EMPAC for a workshop on the dance style known as the Robot, Robotting, or Botting. The event will introduce the basic steps and movements of Robotting and contextualize them within the history and practice of street dance. Participants will then be invited to take part in a dance workshop featuring the freestyle circle, a collective improvisation fundamental to black expressive dance practices. Bragin will also address the complex relationship between kinesthesia, politics, and technology, and how this relationship enables our understanding of hip hop culture. The workshop explores what happens when the body is the robot and the robot is the body on the street.

Ashley Ferro-Murray

Naomi Bragin is assistant professor in the school of Interdisciplinary Arts and Sciences at University of Washington Bothell. Drawing from 20 years dancing in clubs, the streets, and onstage, she researches the intersections of dance, popular culture, media, and black political theory, attending to issues of cultural appropriation and aesthetic politics. Bragin is the founder of DREAM Dance Company, for which she was the recipient of a Ford Foundation Future Aesthetics Artist Award, a Zellerbach Foundation Grant, and was a California Arts Council Artist-in-Residence.

Black Power of Hip Hop Dance: On Kinesthetic Politics
October 17, 2016, 7PM

EMPAC 2016–17 presentations, residencies, and commissions are supported by Rensselaer Polytechnic Institute, the National Endowment for the Arts, and the Jaffe Fund for Experimental Media and Performing Arts.