Return of the Electric Love (Take II)
Hudson-based artist Ephraim Asili will screen and discuss his recent film Return of the Electric Love (Take II) and other films that are influential to his work. Return of the Electric Love (Take II) is an optically printed 35mm film made from found footage of Kung Fu movies.
The sequel to a film Asili had recently completed, which was immediately lost in transit from the film lab, Return of the Electric Love (Take II) reuses this same archive of footage as its source material. His technique of re-photographing short gestural sequences from the original films adds washes of color to the action. A riot of fast-paced images and their fractured, synchronized soundtracks, the film moves from repetitive Kung Fu gestures—flying kicks and spins—to abstract blocks of color, each frame saturated red, pink, green, and blue in quick succession. In the making of this film, the projector light picked out the time-worn scratches, dust, and water damage etched upon the surface of the celluloid. Asili then photographed these marks using the optical printer and exposed new frames. At times these imperfections dance across the screen, as much a part of the image as the bodies of the martial artists.
- Return of the Electric Love (Take II) (2016)
- Bridges Go Round (1958)
- Very Nice, Very Nice (1961)
- New York Eye & Ear Control (1964)
- Made For Television (1981)
- Kindah (2016)
- Halimuhfack (2016)
- Blacktop: The Story of the Washing of a School Play Yard (1952)
Charles & Ray Eames
- Lodz Symphony (1993)
Watering the Flowers is a new year-long screening program. Each evening focuses on a recent film or video by an EMPAC-affiliated artist, and will be succeeded by a program of other shorts or features that were influential in the making of their work, whether fiction or documentary, experimental or commercial.