On Screen/Sound: No. 9

Morgan Fisher and Alfred Hitchcock

Thursday, February 4, 2016
February 4, 2016
FILM/VIDEO

Returning for Spring 2016, the On Screen/Sound film series resumes with a pair of films that consider the way that dialogue is dubbed into a film’s soundtrack.


Presented as a filmed lecture about sound and image, 


Picture and Sound Rushes


 by Morgan Fisher disassembles the fixed relationship between spoken word and image to expose new relationships that intrigue, discomfort, and amuse.

 One of the earliest British “talkie” films, Alfred Hitchcock’s Blackmail


 was originally planned as a silent film. After the production studio jumped at the opportunity to include new sound technologies, the thick-accented lead actress needed her lines “dubbed” in real-time by an offstage speaker. Creating a woozy audio effect that complements the film’s German-expressionist visual influence, Blackmail relentlessly confronts complex issues around assault, murder, and obsession.

PROGRAM
  • Picture and Sound Rushes


 (1973)
    Morgan Fisher
  • 


Blackmail


 (1929)
    Alfred Hitchcock
  • Approximate runtime: 120 mins
Curator:: 
Victoria Brooks
Dates: 
Film/Video
On S/S: No. 9
Approximate runtime: 120 mins
Concert Hall
February 4, 2016, 7PM
Return to On Screen/Sound

EMPAC 2015–16 presentations, residencies, and commissions are supported by Rensselaer Polytechnic Institute and the Jaffe Fund for Experimental Media and Performing Arts.