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Upcoming

All

Seasons
Friday / April 5, 2013 at 7:00 pm
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A white man with dark hair wearing a blue button up and pants standing with arms gently gesturing outward in a baroque styled room.
Dance/Theater, Film/Video, Installation
In the First Place...
Colin Gee
Friday / April 5, 2013 at 10:00 am
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Installation
Sarah Michelson
Devotion Study #2
Saturday / March 2, 2013 at 9:00 pm
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Presented by

School of Architecture

Dance/Theater, Performance, Installation
The Machine Starts
Saturday / March 2, 2013 at 7:00 pm
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Presented by

School of Architecture

Dance/Theater, Performance, Installation
The Machine Starts
Friday / March 1, 2013 at 9:00 pm
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Presented by

School of Architecture

Dance/Theater, Performance, Installation
The Machine Starts
Friday / March 1, 2013 at 7:00 pm
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Presented by

School of Architecture

Dance/Theater, Performance, Installation
The Machine Starts
Thursday / February 28, 2013 at 9:00 pm
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Presented by

School of Architecture

Dance/Theater, Performance, Installation
The Machine Starts
Thursday / February 28, 2013 at 7:00 pm
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Presented by

School of Architecture

Dance/Theater, Performance, Installation
The Machine Starts
Saturday / October 6, 2012 at 9:00 am
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Presented by

The Arts Department

Performance, Installation
Rensselaer Arts 40th Anniversary
iEAR Faculty + Staff
August 20–September 1, 2012
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Two white listening horns in front of and framing a piece of polarized glass.
Film/Video, Installation, Commission
To Many Men Strange Fates Are Given
Brent Green
August 20–September 1, 2012
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Two large black tuba-like horns blowing bubbles suspended by wire in a white gallery.

EMPAC Fall 2012

Music/Sound, Installation, Commission
Thom Kubli
Black Hole Horizon
Wednesday / May 2, 2012 at 2:00 pm
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White text projected on to the wood hull of the concert hall that read "a hideous trumpet, a humor or a worm, a hundred of them, a kind of auditor, a kind of history, a kind of jollity, a kind of Puritan, a kind of remorse, a league of amity, a lecture of them, a parlous boy, no glory, a performance, a philosopher, no trace, a plain knave, no touch"
Commission, Exhibition
Typography Exhibition Reception
A Shakespeare Accelerator: Experiments in Kinetic Language