“When I look back at those days, I have no doubt that divine providence guided us... it seemed to me often that we were not alone.”—Sir Ernest Henry Shackleton. Inspired by Shackleton’s harrowing expedition to Antarctica in 1914, Phantom Limb used puppetry, dance, film, photography, music, and sound (including live music by Skeleton Key, a score recorded by the Kronos Quartet, and field recordings) to create a vision of the great arctic continent—past, present, and future. Dim light plays across a vast lunar terrain dotted with icebergs, while Shackleton’s crew—played by half-life-size puppets—struggles to survive, putting into stark relief the power of endurance and camaraderie and the price of knowledge. The entire cast and crew participated in a two-week residency at EMPAC for technical rehearsals to prepare for final workshop showings at EMPAC prior to a premiere at Dartmouth College and performances at Brooklyn Academy of Music. Phantom Limb, founded by composer and marionette maker Erik Sanko and visual artist Jessica Grindstaff, incorporates puppetry, music, and large-scale installation to probe contemporary life. Sanko and Grindstaff have collaborated with such diverse artists as Ping Chong & Company, Ulrike Quade, Geoff Sobelle of Pig Iron and rainpan 43, and Mark Z. Danielewski.
Quote Unquote: Experiments in Time-Based Text was an interdisciplinary series presenting works by artists that use an existing text as a departure point for time-based works including installation, film, and performance.
September 23, 2011
69°S. was an ArKtype project produced in association with Beth Morrison Projects in co-production with Grand Theatre Groningen/Noorderzon Performing Arts Festival en Noord Nederlands Toneem, and co-commissioned by Hopkins Center, Dartmouth College; Arts Centre of Melbourne, Australia and Victoria College of the Arts; and EMPAC.