Berlin-based artist James Richards is in residence to continue the development of his EMPAC-commissioned ambisonic installation for the Concert Hall. The artwork is produced in collaboration with London-based writer Chris McCormack.
James Richards’ artworks reveal connections between people, practices, and private, hidden, or suppressed histories through archival and online research. Working with a vast array of media materials, often generated during long-term exchanges with other artists, such as American media artist Steve Reinke and filmmaker Leslie Thornton, Richards produces sound and video installations that invite the audience into an intimate encounter with private worlds and queer communities.
EMPAC Spring 2019 presentations, residencies, and commissions are made possible by Rensselaer Polytechnic Institute, with continuous support from the New York State Council for the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; the Australian Government through the Australia Council for the Arts; and the Jaffe Fund for Experimental Media and Performing Arts. Additional project support by the National Endowment for the Arts; the New England Foundation for the Arts’ National Dance Project, with funding from the Andrew W. Mellon Foundation; and the Center for Curatorial Studies at Bard College.