an film image projected in the theater.

What We Left Unfinished

Miriam Ghani
2018–19
EMPAC—Troy, NY USA

Spring 2019

Mariam Ghani is in residence to finish the post-production for her new film What We Left Unfinished, based on the history of the Afghan Film Archive—the state film institute based in Kabul, Afghanistan.

Fall 2019

Artist Mariam Ghani is in residence to finish the post-production audio and color mastering on her feature film What We Left Unfinished. She will be joined by composer Qasim Naqvi (Dawn of Midi), who has scored and recorded soundtracks for Ghani’s moving image works for over a decade. The two will screen and discuss the new film on Nov. 29.

Fall 2019

Mariam Ghani is in residence to work on the post-production audio and video for her new film What We Left Unfinished, based on the history of the Afghan Film Archive—the state film institute based in Kabul, Afghanistan.

Main Image: Miriam Ghani What we Left Unifinished, Production still, 2018. Courtesy the artist. Photo: Mick Bello/EMPAC.

Presented By

EMPAC 2018–19

Curator
Funding

EMPAC 2018–19 presentations, residencies, and commissions are supported by Rensselaer Polytechnic Institute, the National Endowment for the Arts, and the Jaffe Fund for Experimental Media and Performing Arts.

EMPAC Spring 2019 presentations, residencies, and commissions are made possible by Rensselaer Polytechnic Institute, with continuous support from the New York State Council for the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; the Australian Government through the Australia Council for the Arts; and the Jaffe Fund for Experimental Media and Performing Arts. Additional project support by the National Endowment for the Arts; the New England Foundation for the Arts’ National Dance Project, with funding from the Andrew W. Mellon Foundation; and the Center for Curatorial Studies at Bard College.