an oyster shell mic'ed and sitting on a string instrument with a musical scale taped to it.

Susceptible Chambers

Antonia Barnett-McIntosh & Jessie Marino
Studio 2

Antonia Barnett-McIntosh and Jessie Marino return to EMPAC to continue the development of their commissioned work Susceptible Chambers, a piece that combines sound, sculpture, light, projection, and movement in an exploration of the myriad possibilities of one of the most foundational instruments of electronic music: the microphone.

Main Image: Antonia Barnett-McIntosh and Jessie Marino, Extended Microphones Project (EMP), image taken 2022. Courtesy the artists. Photo: Jessie Marino.