Improvising the Interface: Dance Technology and the New Black Dance Studies
Thomas F. DeFrantz is an artist and scholar who works at the apex of dance, technology, and critical Black studies. His historiographic and aesthetic focus opens shapeshifting conversations about the curation of art, ideas, politics, and bodies. DeFrantz will be at EMPAC as an advisor and collaborator to jumatatu m. poe and Jermone “Donte” Beacham’s Let ‘im Move You: This is a Formation residency. In conjunction with that project, he will present this public talk on his research.
DeFrantz is professor in the departments of African and African-American Studies and of Dance at Duke University. He is co-editor of Black Performance Theory: An Anthology of Critical Readings, and Dancing Many Drums: Excavations in African American Dance.
Dates + Tickets
EMPAC Spring 2019 presentations, residencies, and commissions are made possible by Rensselaer Polytechnic Institute, with continuous support from the New York State Council for the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; the Australian Government through the Australia Council for the Arts; and the Jaffe Fund for Experimental Media and Performing Arts. Additional project support by the National Endowment for the Arts; the New England Foundation for the Arts’ National Dance Project, with funding from the Andrew W. Mellon Foundation; and the Center for Curatorial Studies at Bard College.