In Beatriz Santiago Muñoz’s EMPAC-commissioned feature-length film Oriana, a band of feminist militants takes refuge in a thriving Puerto Rican landscape. The film relocates Monique Wittig’s infamous novel Les Guérillères to the island in the wake of Hurricane Maria, where its protagonists work and cook, dance and rest, and prepare for battle amidst the abundant tropical vegetation.

Suffused with unexplainable encounters, Oriana unfolds across forests, caves, rivers, and the ruins of industry and colonial infrastructure abandoned and fallen into disrepair. Encompassing both delirious choreographic interludes and attention to quiet rituals, the film maps a world of perceptual distortions, obscure gestures, and collective processes, one where quotidian objects transform into arcane weapons and where ancestral spirits and the recently dead alike become phantasmatically present.

Performed by a cast of Santiago Muñoz’s collaborators who come from music, performance, art, and poetry, Oriana was filmed on location in Puerto Rico and at EMPAC, where the Center’s theater itself becomes a site of temporary shelter and respite from a struggle that remains at once omnipresent and unspecified. Nevertheless, against this backdrop of exhaustion and threat, the film strives to visualize the ecstatic and unsettling potential of new social forms, languages, and ways of living in the aftermath of a slow exit from long legacies of colonization and patriarchy.

The African Desperate follows artist Palace Bryant on one very long day in 2017 that starts with her MFA graduation in New York’s Hudson Valley and ends at the Chicago Blue Line Station. Set against the lush backdrop of late summer, Palace navigates the pitfalls of self-actualization and the fallacies of the art world.

Shot through with Martine Syms' celebrated conceptual grit, humor, social commentary, and vivid visual language, and starring artist Diamond Stingily, The African Desperate leads us on an intimate and riotously funny journey through picturesque landscapes and artists’ studios, from academic critiques to backseat hookups, and from the night of a wild graduation party to the morning of a lonely trip back home.

A conversation with Martine Syms will follow the screening. 

Artist Martine Syms is in residence to complete the audio post-production for a new feature-length moving-image work, The African Desperate. The film follows its main protagonist, Palace, on one very long day in August 2017 that starts at an MFA program in upstate New York and ends at the Chicago Blue Line Station. The principal filming of The African Desperate took place in July 2021 on location throughout the Hudson Valley.

Martine Syms has earned wide recognition for a practice that combines conceptual grit, humor, and social commentary. She has shown extensively, including solo exhibitions at the Museum of Modern Art, the Art Institute of Chicago, and Tate Liverpool. She is a recipient of the Creative Capital Award, a United States Artists fellowship, the Tiffany Foundation award and the Future Fields Art Prize.

This screening and discussion is for Rensselaer community members only at this time. Registration is required.

Please join artist and poet Anaïs Duplan for a screening, discussion, and book-signing. Following a program experimental documentary works selected by Duplan, there will be a collective discussion on the films and videos that inspire his work. 

Blackspace is an ongoing project that encompasses Duplan’s recent book and his EMPAC-commissioned radio series that follows the artist’s lyrical exploration of the political potential of aesthetic experiences, from everyday sensations to the transformative reckoning with an artwork. These experiences are viewed through the prism of how Black and Indigenous artists and artists of color are working with media technologies on their own terms to seek “liberatory possibility” through specifically aesthetic means. 

The screening features films and videos that Duplan is currently researching. Each in its own way subverts the documentary impulse and expresses the tension between a straightforward documentary form of “telling” and an aesthetic approach that experiments with opacity as a strategy of refusal.

The event will finish with a book-signing by the artist of Blackspace: On the Poetics of an Afrofuture (Black Ocean, 2020). A limited number of copies are available for our campus community for free on a first come first served basis.

Program

• SPLASH (1991)
• Directed By Thomas Allen Harris
• 7 min, color, sound 
• Graft and Ash for a Three Monitor Workstation (2016)
• Directed By Sondra Perry
• 9:05 min, color, sound, HD video
• Nor Was This All By Any Means (1978)
• Directed By Anthony Ramos
• 24 min, color, sound
• Off Limits (1988)
• Directed By Rea Tajiri
• 7:30 min, color, sound
• Water Plastic Bag (1973)
• Directed By Anthony Ramos
• 8:45 min, b&w, sound
• Hand Dryer (2012)
• Directed By Maggie Lee
• 00:27 sec, color, sound
• Re Dis Appearing (1977)
• Directed By Theresa Hak Kyung Cha
• 2:30 min, b&w, sound
• Landscapes and Subtitles (2013)
• Directed By C. Spencer Yeh
• 6:16 min, color, sound, HD video
• ART THOUGHTZ with Hennessy Youngman: Relational Aesthetics (2011)
• Directed By Jayson Scott Musson
• 5:27 min, color, sound, HD video

Please join us for a presentation by American artist Tony Cokes. 

Through a rigorous analysis of images and language, Tony Cokes dissects the often-obscured power dynamics at work in the cultural and political representation of histories of Blackness, class, and the war on terror. 

Cokes’ distinctive artworks and installations center on videos that foreground textual statements, often overlaid onto colorful monochromatic backgrounds with pop, punk, and electronic music soundtracks. Quoting language from across the political spectrum—from philosophical statements to news, art criticism, advertising, and song lyrics—Cokes mixes linguistic, visual, and sonic oppositions in a pared back approach that refuses the easy desire for a spectacular image. Shot through with wry humor and the aesthetics and upbeat music of popular culture, the videos project unstable meanings that deconstruct how we receive and read images.

The talk will be followed by a Q&A with the artist.

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This talk is being presented simultaneously in person for campus audiences (faculty, staff, students of Rensselaer) and streaming online for the general public. In-person attendance is limited so please register early. Registration is required for both physical and virtual attendance.

Please join us for this online event featuring the artist and filmmaker Sky Hopinka in conversation with curator Mariana Fernández. 

Over the past decade, Hopinka’s videos and films have been animated by an exploration of language as a way to formulate questions of identity and belonging. Hopinka’s filmmaking career began around the same time he started learning Chinuk Wawa, an almost extinct creole trade-language spoken in the Pacific Northwest, and Hočąk, the endangered, Indigenous language of the Ho-Chunk peoples. His works often overlay English, Chinuk Wawa, and Hočąk to move beyond static ideas about language and cultural identity. 

As the third in EMPAC’s Decolonizing Language series of conversations seeking to destabilize linguistic hierarchies and present strategies of Indigenous language revitalization, Hopinka will discuss his use of language in crafting alternative understandings of place, community, and knowledge transmission.

Please join us today — Friday April 2, 2021 at 3:30PM EST — Live on ZOOM for a live screening and Q&A to follow.

ZOOM Information:

On a computer: Join Zoom Meeting

Meeting ID: 859 9003 0639
Passcode: 411921

On a phone:

+16465588656,,85990030639#,,,,*411921# USA
+496938079883,,85990030639#,,,,*411921# Germany

Find your local number: https://us02web.zoom.us/u/kbvo5MQPr9

For more information about this event please visit https://www.facebook.com/events.

Every year, the Rensselaer Department of the Arts programs seven events utilizing the infrastructure and support of the production teams at EMPAC. These productions often include final graduate thesis projects that are developed in the venues themselves.

Break @ut is a symposium (of sorts) that celebrates the research, writing, and filmmaking initiated during THE UNDO FELLOWSHIP and presented by our partners UnionDocs: Center for Documentary Art. Four ambitious research topics will be explored through a set of online screenings, study groups, and public dialogues. We are excited to share the ideas resulting from the inaugural year of this endeavor. 

Five artists — all extremely different in their curiosities, aesthetics, methods, and personalities, but more or less aligned in their efforts to break out of the patterns and preconceptions that dominate the documentary form — paired up with four intellectually adventurous writers. Together they proposed a research topic inspired by the artist’s practice. Having stewed on these thorny questions in regular dialogue with the whole group of brilliant fellows, their drafts now seek readers.

So, Break @ut with UnionDocs! Choose a single thread of inquiry, or weave connections between them all. Tune into the stream to watch and listen in, or sign up for an UNDO STUDY GROUP to get the reader and join a rigorous and creative discussion.

Erie County Smile is a satirical short film by Van Tran Nguyen, in collaboration with Alex Derwick, Ako Shergazy, Bryan Czerniawski and Mengtai Zhang.

The film is a parody of "Paris By Night" (PBN), a popular Vietnamese-language variety show. PBN gained notoriety in the Vietnamese diasporic community by the mid 1990s and is still in production today. Music from the live shows were recorded and commonly played at Vietnamese-owned businesses all over the world. In the waiting area of my family's nail salon, we always had PBN in the VHS player.

This movie is dedicated to children of immigrants, who grew up behind doors labeled "EMPLOYEES ONLY".

Every year, the Rensselaer Department of the Arts programs seven events utilizing the infrastructure and support of the production teams at EMPAC. These productions often include final graduate thesis projects that are developed in the venues themselves.

Please join us for a talk by the director Lisa Rovner and producer Marcus Werner Hed of Sisters with Transistors: Electronic Music’s Unsung Heroines, an award-winning documentary that maps the history of twentieth century women experimental music pioneers. 

Narrated by Laurie Anderson, Sisters with Transistors features the work of visionary composer and Rensselaer professor Pauline Oliveros alongside Clara Rockmore, Daphne Oram, Bebe Barron, Delia Derbyshire, EMPAC-alum Maryanne Amacher, Eliane Radigue, Suzanne Ciani, and Laurie Spiegel. Through rigorous research, interviews, and archival footage, the film follows the electronic music composers’ radical experimentations with machines that redefined the boundaries of contemporary music.

The talk will include an educational screening of the film in Zoom. Students, staff, and faculty at Rensselaer were able to access the film throughout the semester. 

Sisters with Transistors opened at Metrograph on April 23, 2021.